Howard Eiland and Kevin McLaughlin (Cambridge, MA: Belknap, 1999). Alex Coles (London: Black Dog Press, 1999). Detlef Mertins, 'Walter Benjamin and the Tectonic Unconscious', in The Optic of Walter Benjamin, ed. Howard Giland, 'Reception in Distraction', in Kevin McLauglin and Philip Rosen (eds), Benjamin Now: Critical Encounters with The Arabs Project, boundary 2, 30. Fabrizio Desideri, // fantasma dell'opera: Benjamin, Adorno e le aporie dell'arte contemporanea (II Melangolo: Geneva, 2002).
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David Michael Levin, Sites of Vision: The Discursive Construction of Vision in the History of Philosophy (Cambridge, MA: MIT, 1997). Rebecca Comays' 'Materialist Mutations of the Bilderverbot\ in ed. PATKE 185 12 The Work of Art in the Age of its Electronic Mutability KRZYSZTOF ZIAREK 209 13 Rehearsing Revolution and Life: The Embodiment of Benjamin's Artwork Essay at the End of the Age of Mechanical Reproduction SAUL OSTROW 226 Notes Contributors IndexĪcknowledgements Earlier versions of a number of these papers appeared in the following publications. Introduction ANDREW BENJAMIN 1 1 Reception in Distraction HOWARD EILAND 3 2 The Timing of Elective Affinity: Walter Benjamin's Strong Aesthetics JOANNA HODGE 14 3 Materialist Mutations of the Bilderverbot REBECCA COMAY 32 4 Is There an Answer to the Aestheticizing of the Political? PETER FENVES 60 5 Benjamin or Heidegger: Aesthetics and Politics in an Age of Technology BEATRICE HANSSEN 73 6 The Work of Art in the Age of Ontological Speculation: Walter Benjamin Revisited ARNE MELBERG 93 7 The Mimetic Bond: Benjamin and the Question of Technology FABRIZIO DESIDERI 108 8 Aura, Still ROBERT KAUFMAN 121 9 Walter Benjamin and the Tectonic Unconscious DETLEF MERTINS 148 10 Aura, Face, Photography: Re-reading Benjamin Today DlARMUID COSTELLOġ1 Benjamin on Art and Reproducibility: The Case of Music RAJEEV S. 912-dc22 200456178 Typeset by Fakenham Photosetting Ltd, Fakenham, Norfolk Printed and bound in Great Britain by Cromwell Press, Trowbridge, Wiltshire Benjamin, Walter, 1892-1940 - Aesthetics. Kunstwerk im Zeitalter seiner technischen Reproduzier barkeit. (Walter Benjamin sudies series) Includes bibliograpical references and index. ISBN: HB: 0-8264-6729-6 PB:0-8264-6730-X Library of Congress Cataloging-in-Publication Data Walter Benjamin and Art/edited by Andrew Benjamin. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. ® Andrew Benjamin and Contributors 2005 First published 2005 Reprinted 2006 All rights reserved. Walter Benjamin and Art Edited by Andrew BenjaminĬontinuum The Tower Building 11 York Road London SE1 7NX Walter Benjamin and Romanticism (2002), edited by Beatrice Hanssen and Andrew Benjamin.
#Dream aquarium 1.2591 code series#
The series aims to set new standards for scholarship on Benjamin for students and researchers in Philosophy, Cultural Studies and Literary Studies. A series devoted to the writings of Walter Benjamin - each volume will focus on a theme central to contemporary work on Benjamin.
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Consultant Board: Stanley Cavell, Sander Gilman, Miriam Hansen, Carol Jacobs, Martin Jay, Gertrud Koch, Peter Osborne, Sigrid Weigel and Anthony Phelan.
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WALTER BENJAMIN STUDIES SERIES Series Editors: Andrew Benjamin, Monash University, and Beatrice Hanssen, University of Georgia.